I was really looking forward to seeing what Son Little would do with his new album. His first full length self-titled release established him as someone looking to rework the blues and R&B canon in a new way (or to travel some forgotten byways). That album was spectral, spooky, and a little freaky. It called to mind Screaming Jay Hawkins or Andre Williams. It really grew on me. So, I was looking forward to how he would push things forward on this new outing. Initially, however, [MORE]